Ironbound District

From New Jersey Wiki


The Ironbound District, locally known as Down Neck, is a densely populated neighborhood within the city of Newark, New Jersey, situated in Essex County. It is a large working-class, multi-ethnic community covering about 4 square miles (10 km²) within the city of Newark in Essex County, in the U.S. state of New Jersey. The Ironbound is the most densely populated neighborhood in the city, home to roughly 55,000 residents. One of Newark's most recognized and enduring communities, the Ironbound has served as a gateway for successive waves of immigrants for nearly two centuries, transforming from marshy farmland into one of the most economically active urban neighborhoods in the state. The Ironbound is an economic engine within Newark, driving 40% of its economy and contributing to 33% of its tax base.

Geography and Boundaries

Part of Newark's East Ward, the Ironbound is directly east of Newark Penn Station and Downtown Newark, and south and west of the Passaic River. The neighborhood is connected by the Jackson Street Bridge over the river to Harrison and Kearny.

It is bound by Penn Station and the Amtrak line on the west; the Passaic River — the nation's longest Superfund site — on the north; US Routes 1 and 9, the NJ Turnpike, and Port Newark on the east; and US Highway 78 and Newark Airport on the south.

Historically, the area was called "Dutch Neck," "Down Neck," or simply "the Neck," for its location by a bend of the Passaic River. Its residential community, with Ferry Street as its spine, is interspersed with commerce, covering roughly a third of the neighborhood. The surrounding industrial area includes trucking, chemical, and waste businesses.

Name and Origins

The origin of the name "Ironbound" has been a subject of local debate for well over a century. The name "Ironbound" is sometimes said to have originated from the many forges and foundries located in the area during the latter half of the 19th century, but it more likely refers to the railroad tracks that surrounded the area when the rail lines were constructed in the mid-1800s.

Like most local names, no single person can be credited with coining the name Ironbound. It seems to have evolved over the years as Newark developed from an agricultural village into an industrial and commercial center. Originally, the section was referred to as Dutch Neck and later Down Neck — the latter still in use today. By the 1830s, with the coming of the railroads and the tracks that surrounded the area, the name Ironbound gradually evolved.

The Ironbound district of Newark has been known by many names over the years — Down Neck, the East Ward, the Meadows. There was even a time in the early days when locals called it "Texas," owing to its remote setting in the marshes around the mouth of the Passaic River.

Newark boomed with industrial growth, and the Ironbound grew right along with it. The Morris Canal was completed in 1832, followed in short order by the first of several railways — the "iron" that eventually gave the neighborhood its name.

History

Early Settlement and Industrial Development

During Newark's earliest history, most of the Ironbound was either swamp or farmland. When the Revolutionary War erupted, there were fewer than a half-dozen homesteads in the area. The transformation of the Ironbound into an urban and industrial district came swiftly in the early nineteenth century. With the incorporation of Newark as a city in 1836, the completion of the Morris Canal in 1829, and the construction of several railway lines tying Newark to the outside world, dramatic changes were on the horizon, both in Newark and the surrounding area.

Starting in the 1830s, the area became a center for tanning, brewing, and dye production. Workers at Benjamin Moore Paints, Ballantine Beer, the Murphy Varnish Company, and Conmar Zippers lived next to railroad and port workers. The Balbach Smelting & Refining Company, now the location of Riverbank Park, was the second largest metal processing enterprise in the United States until its closure in the 1920s.

The Murphy Varnish Company, started in 1865, was once the largest of the numerous paint and varnish factories that made the business Newark's fifth largest industry at the turn of the century. At that time, six major structures comprised the Murphy complex, of which only one remains in existence. That surviving building has since been converted into Murphy Varnish Lofts, a residential complex.

The inhabitants were considered to be in such need of help that Protestant reformers established the Bethel Mission there in 1850. Saloons were major meeting places for Ironbound workers in the era before radio and television; a 1912 survey found 122 saloons in the neighborhood.

Immigration Waves

The Ironbound's character has been defined by successive waves of immigration spanning two centuries. German, Lithuanian, Italian, and Polish immigrants settled in the Ironbound in the 19th century. In the early 20th century, Black Americans arrived during the Great Migration from the Jim Crow-era South, along with large numbers of Portuguese and Spanish immigrants.

Events in Europe brought the first massive wave of immigrants from Ireland as a result of the Great Potato Famine. Unrest in the German states accelerated the German exodus to Newark. Overnight, whole sections of the Ironbound became Irish and German.

The Ironbound's second great wave of immigration occurred with the influx of southern Europeans headed by the Italians. This community tended to settle along the Passaic River, south of Pennsylvania Station and east to Hoyt Street. By 1902, Sister Frances Xavier Cabrini, the first canonized American saint, had founded a school in the area. By 1914, both Portuguese and Spanish immigration had become prominent in the area, especially along Market, Monroe, and Wilson streets.

In the latter half of the 20th century, immigrants from Central and South America, attracted by the Iberian flavor and multilingual nature of the Ironbound, joined the community. These successive waves of migration and immigration all contributed to the richness of the Ironbound's cultural diversity.

Lithuanians built the Sacred Heart of Jesus Church in 1894 and Trinity Church in 1902. Constructed in 1858, St. Joseph's Roman Catholic Church was, until 1928, the Fifth Baptist Church, at which point the Spanish and Portuguese people of the Ironbound joined forces and obtained the structure.

Culture and Community

The Ironbound today is strongly associated with its Portuguese and Ibero-Latino cultural identity. The Ironbound is known for being a Portuguese neighborhood, and Portuguese-language newspapers including 24horas Portuguese Daily Newspaper, Brazilian Voice, Brazilian Press, and Luso-Americano are published here. TAP Air Portugal, the Portuguese airline, has its U.S. corporate offices in the Ironbound.

The neighborhood holds the annual Portuguese Parade & Festival, known as Portugal Day, in early June. A small sitting park east of Penn Station is named in honor of Peter Francisco, a Portuguese-born patriot of the American War of Independence. An obelisk in Francisco's memory was raised in the park by the Portuguese community in 1976. Peter Francisco Park also features a memorial to Portuguese-American war veterans dedicated in 2018, as well as the Ironbound Immigrants Memorial, dedicated in 2019.

The Ironbound is one of Newark's — and New Jersey's — most eclectic and vibrant neighborhoods, historically known for its strong connection to Portuguese culture. Ferry Street is not just the main thoroughfare running through the Ironbound; it is the heart of the community and home to a growing list of businesses catering to an increasingly diverse population.

The Ironbound has maintained considerable charm as a neighborhood of one- and two-story houses built tightly together along narrow, clean streets, many of them lined with mature sycamore trees. While some areas of Newark have declined in recent years, the Ironbound has been carefully preserved — and even improved. Family and community ties are strong, numerous restaurants and small businesses thrive, and the crime rate is one of the lowest in the city.

Notable Landmarks

Newark's beautifully restored, Art Deco–period Penn Station defines one boundary of the neighborhood. Constructed in 1935, Penn Station forms a natural boundary between the Ironbound and the downtown area. The 293-foot-long structure, finished in Indiana limestone, contains many fine Art Deco details, including wall reliefs and ceiling sculpture. The total cost of construction was approximately $10 million.

In 2009, the Ironbound's Barrett-Brown Building, an 1879 Romanesque industrial-style building, was converted into condominiums by a local developer. The Button Factory Lofts, so named for the building's history as a button production facility, is divided into 15 live/work condominium units. The City of Newark supported the Lofts project by offering a five-year tax abatement to each buyer of a condominium unit, as well as by using a $65,000 Community Development Block Grant to outfit the Sumei Arts Center on the building's first floor. The project was awarded the annual Donald Dust Award for Best Renovation of a Building in Newark by the Newark Landmarks and Preservation Committee.

The Ironbound Ambulance Squad was founded in 1952 to provide fast, reliable medical transportation for the eastern end of the city and is now the largest and busiest private ambulance service in New Jersey. Its volunteers provide round-the-clock service for Newark Airport, Port Newark, and several major highways, as well as for neighborhood residents and workers.

East Side High School, located at 238 Van Buren Street, is the Ironbound's only high school. Built in 1911 to provide the area's youth with industrial and manual education, the curriculum is now multi-faceted.

Environmental Concerns

The Ironbound's industrial legacy has produced lasting environmental challenges for its residents. Toxic Release Inventory data identifies the Ironbound's main zip code as one of the most polluted in the Northeast. The New Jersey Department of Environmental Protection has identified well over 100 known contaminated sites in the community.

Until October 2019, Ironbound Stadium had been closed for 32 years due to toxic levels of contamination by PCBs and other chemicals from a former plastics factory. For three decades, students at East Side High School were denied a home field for their athletic events.

Thousands of diesel trucks, primarily from surrounding industries and Port Newark, travel community streets daily, emitting dangerous particulate pollutants. Residents in some housing tracts in the Ironbound have been sickened by carcinogenic vapors seeping into their homes, which sit on brownfield sites, often due to poorly executed clean-ups of industrial sites that were later zoned for housing.

Located in the Ironbound, Pennington Court may have been the first public housing project in New Jersey. For more than 80% of residents, English is not a first language at home. The Ironbound's elementary schools — five built in the 19th century — are severely overcrowded.

Notable People and Cultural References

The Ironbound has been home to a number of prominent figures in American public life, the arts, and athletics. Supreme Court Justice Charles Evans Hughes lived on Elm Street as a child; saxophonist and jazz composer Wayne Shorter grew up in the Ironbound; and playwright Richard Wesley grew up near Terrell Homes in the neighborhood. Popular singer and recording artist Connie Francis was born on December 12, 1937 (as Concetta Franconero) in Newark and grew up in the Ironbound neighborhood.

The early scenes of Alfred Hitchcock's 1943 thriller Shadow of a Doubt were shot in several places in Newark, including the Ironbound. Scenes from the 2005 Steven Spielberg film War of the Worlds were also filmed in the Ironbound.

The third track on Suzanne Vega's 1987 album Solitude Standing, "Ironbound/Fancy Poultry," features lyrics describing a scene set in the neighborhood. New Jersey metal band Overkill released their 15th studio album, titled Ironbound, in 2010, with much of the album's lyrical theme — especially the title track — built around the topic of the area and its people.

References

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